Prof. Dr. Andreas Münzmay

Musicology Seminar Detmold/Paderborn

Contact and Affiliations

Office Address:
Hornsche Str. 39
32756 Detmold
Room:
HFM1 2.06
Office hours:

Wed. 3:00-4:00 pm. Please register in advance by e-mail. You can find me in the office and/or in the Zoom room “Sprechstunde Münzmay”.

Telephone: 05231-975-672

Telephone (secretary’s office): 05231-975-667

Office Address:
Hornsche Str. 39
32756 Detmold
Room:
HFM1 2.06
Office hours:

Wed. 3:00-4:00 pm. Please register in advance by e-mail. You can find me in the office and/or in the Zoom room “Sprechstunde Münzmay”.

Telephone: 05231-975-672

Telephone (secretary’s office): 05231-975-667

Executive Director - Professor
Key research area Digital Humanities
Speaker - Professor

Was bewegen wir gemeinsam mit akademischer Forschung und Lehre? – Herzliche Einladung zur Diskussion!

About Andreas Münzmay

Andreas Münzmay is Professor of Musicology / Digital Music Edition / Digital Humanities at the University of Paderborn (Faculty of Arts and Humanities), scientific director of the Centre for Music – Edition – Media (ZenMEM) and co-spokesperson of the Digital Humanities profile area at the University of Paderborn. As co-spokesperson in the NFDI4Culture consortium, he heads the Paderborn team of NFDI4Culture's "Cultural Research Data Academy" and, as an academy professor, is project co-leader in the long-term project "Beethoven's 360直播吧" of the Mainz Academy of Sciences and Literature.

Curriculum Vitae

2008 - 2016: CV

Münzmay studied Music, Romance languages and literature, jazz trombone, and musicology in Stuttgart, received his doctorate from the Berlin University of the Arts (UdK) in 2008 with a thesis on French-German cultural transfers in 19th-century music theater, worked as a musician, music school teacher, choir director, and high school teacher, and held teaching positions in musicology at Stuttgart University of Music, Berlin University of the Arts (UdK), and University of Potsdam. From 2009 to 2014, he worked at the Universities of Bayreuth and Frankfurt am Main as a scientific editor in the digital edition project “OPERA - Spectrum of European Music Theater” of the Academy of Sciences and Literature Mainz, and then as a reasearch associate at the Institute of Musicology at Goethe University Frankfurt until 2016. He received the Hermann Abert Prize of the Gesellschaft für Musikforschung for his scientific achievements in 2012.

2012: Hermann-Abert-Preis der Gesellschaft für Musikforschung

Research

Research Interests

European Music Theatre and Vocal Music (17th–20th c.)

Music in the context of theatre media (music dramaturgy, libretto, incidental music, vaudeville, music and dance)

Digital Scholarly Editing and Digital Humanities

Musical Perfomance and Recordings

Media History and Cultural History of Improvisation and Jazz

Cultural Transfer

Publications

Latest Publications


Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle

A. Münzmay, F. Rovelli, E. Novara, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024.


Open Edirom: From hybrid music edition to open data publication

L. Fr?mmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.


Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg

A. Münzmay, in: J.-C. Yon, C. Reynaud (Eds.), Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), Hermann Editeurs, Paris, 2024, pp. 101–110.


Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale

J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.


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Teaching


Current Courses

  • Neue und Zeitgen?ssische Musik für Gitarre ? Repertoire, Politik, Protagonist*innen
  • Musik und Digitale Medien (Ringvorlesung mit Seminar)
  • Mozart, Telemann, Stockhausen und Co. ? Kodierung und Performance nichtlinearer Musik (Teil 2)
  • Geschichte und Formen des Musiktheaters

Scientific Engagement

2024  |  Aktuelle Gremienmitgliedschaften

Gech?ftsführender Leiter ZenMEM

NFDI4Culture Steering Board und Co-Spokespersons Comittee

Ko-Sprecher Profilbereich Digital Humanities der Universit?t Paderborn

Fakult?tsrat

Vorsitz Prüfungsausschuss BA/MA Musikwissenschaft der Fakult?t für Kulturwissenschaften, Universit?t Paderborn

Prüfungsausschuss BA/MA Popul?re Musik und Medien der Fakult?t für Kulturwissenschaften, Universit?t Paderborn

Promotionsausschuss der HfM Detmold

Landesmusikrat NRW

Leitung Redaktion der Dissertationsmeldestelle der Gesellschaft für Musikforschung / musiconn

Programmkomitee Tagungen des Verbands Digital Humanities im deutschsprachigen Raum (DHd)

Wissenschaftlicher Beirat des Projekts Corpus Musicae Ottomanicae (CMO)